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this piece was inspired by handel's messiah... it summarizes a period in my work where movement and emotion converge into spiritual concept...
i was moved in contemplation of this piece to think about the infusion of sin and shame into the body and soul of Jesus, and His utter and complete rejection from both man and, at that moment on the cross, by G-d.
i also feel that this piece gives an abstract asian calligraphy connection to the hebrew/christian concept of meditation and mystical contemplation. thus providing an abstract bridge to understanding the family of faiths.
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baltimore, Maryland
United States
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